Comic Relief Definition

Comic relief in disastrous drama is introduction of comic scene which relieve the tension produced by a tragic situation. And also by comparison comic relief heightens the definition of the catastrophic theme. The drunken porter’s speech in Macbeth is an example in comic relief.

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Comic Relief an interpretation and Purpose

The mixture that comedy and also tragedy is additionally justified by the regulations of contrast and also relief. As soon as a monotony the horror deserve to no an ext be endured and the nerves are strained come the uttermost, some kind of relaxation appears absolutely needed. The intrusion that the comic according to the psychological legislation of contrast often heightens the catastrophic effect and gives relief. The many successful example from the suggest of check out of developing a profound impression by the advent of the comic in tragedy is provided by the exorbitant Fool in King Lear. Without the Fool, the tragedy would not have been what the is.

Comic Relief in Greek Tragedy

Aristotle says that tragedy should represent an activity that is serious; and hence there was no comic relief in Greek tragedy. But then we need to remember the the tragic trilogy in the Greek amphi-theatre was constantly followed through a satiric pat which was comic. It to be a sort of catastrophic burlesque. Cyclops of Euripides, Oceanus in Prometheus, the Messengers in Antigone are partially comic figures also, end and over the regular comic satiric play that normally adheres to a disastrous trilogy.

Comic Relief in the Elizabethan Period

In the middle Ages, the mixture that tragic and comic to be natural and freely accepted. (The Doctor’s maid in The play of the Sacrament) In fact, it was a continuous medieval tradition to mix comedy with tragedy. Scene of comic relief or comic interludes to be inherited by Elizabethan drama indigenous the native Mysteries’ and also ‘Moralities’. Also in the Elizabethan Age, in spite of the protests that scholars, the basic practice to be to usage comic scenes to relax the stress of tragedy-Polonius, Macbeth‘s Porter, Lear’s Fool and others space living examples of this practice. Character likewise gains by such addition of comic scenes by the salvation of a sense of humour. For this reason ‘comic relief’ serves two functions to relieve the anxiety of emotion and also to heighten the tragedy by contrast.

Comic Relief in Macbeth

The Porter scene in Macbeth relieves the tragic anxiety : it suggests the irony-the porter is a porter of hell gate, Macbeth’s lock being a very hell. It also serves a dramatic purpose-it provides Macbeth time to to wash his hands and also put on his night gown-it consist of the gap between the crime and also its discovery.

Comic Relief in Hamlet

The professional indifference of the clown who has actually been grave-digger contrasts comically v the sensitivity and skepticism of the hero and there is bitter irony in Hamlet’s jests v the clown at the tomb of the girl he himself has driven come madness and death. The audience knows that this gentle woman was Ophelia, however Hamlet walk not.

Comic Relief in Romeo and also Juliet

Mercutio and also the Nurse space two comic characters in Romeo and Juliet play comic interlude in a few scenes.

Whether Comic Relief important or Not?

Now, the suggest is whether this comic aspect in tragedy disturbs the unified of tone. France, that course, ongoing to use just serious tragedy unrelieved by comic scenes. Also in our very own days T. S. Eliot has struck the use of comic scene in a tragedy.

But need to this human craving for comic relief it is in so disregarded? it is no the target of the dramatist come please? Is no comic relief artistically valuable? The contrast (serious scene and comic scenes) may give brand-new depth to the play and also the characters.

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What about concentration on which T. S. Eliot insists? A little relaxation in between scenes and the audience may concentrate better. Nature’s means is likewise to work, to rest, to work, to rest.

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So there is no reason why tragedy should be laughterless, and also there is no factor why it must not. The only consideration to be kept in mental is that humour need to not clash through the ton of the entirety play. Shakespeare knew instinctively just how to prevent this pitfall. Plenty of of his successors did not.

“The tragic Muse has actually learnt that, to host her hearers, she have to either song sometimes, ………or periodically smile.” (F. L. Lucas)