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In Geoffrey Chaucer’s The Canterbury Tales, 32 personalities make the expedition to Canterbury. 29 of these are pointed out in line 24 the the “General Prologue .” The narrator joins this group (making 30). The host, take care of Bailey, makes 31. The Canon’s yeoman, who joins the group later, makes...
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In Geoffrey Chaucer’s The Canterbury Tales, 32 characters make the pilgrimage to Canterbury. 29 of these are pointed out in heat 24 the the “General Prologue.” The narrator joins this team (making 30). The host, harry Bailey, provides 31. The Canon’s yeoman, who joins the team later, renders 32.
If one had to make a gun generalization around the virtues Chaucer commends and also the vices that attacks, it would not be wrong come say that he condemns proud (selfishness and also love the self) and that that commends selflessness and love of God. Pride, in Chaucer’s day and beyond, was considered the root cause of all other sins. Pride connected placing oneself and one’s very own interests prior to love the others and especially love the God. By the very same token, love of God was considered the most efficient antidote to pride. Anyone that loved God truly and also deeply would virtually automatically love everything else – and everyone else – in the proper way.
The Knight, because that instance, is a perfect instance of a character who loves God very first and foremost and also who thus provides one exemplary version – a standard whereby the various other pilgrims have the right to be judged. Small wonder, then, that Chaucer starts with the Knight. ~ reading around him and also his worthiness, that is basic to see how numerous of the other characters fall short of the instance he sets. The is modest, courageous, charitable, kind, and also thoughtful, and thus he deserves his famous summary as “a verray, parfit, gentil knight” (72).
On the other hand, his son, the squire, seems vain and also somewhat immature. He is not an evil character by any kind of means, but he is preoccupied (as young men often are) by the pleasures of the human being far much more than his father is. The exact same is true, ironically, of countless of the “religious” figures, including the Prioress, the Monk, the Friar, and also various others. Many of the characters, in fact, display some type of selfishness or vanity that provides them targets of Chaucer’s regularly subtle satire. Lock are presented to it is in in bondage, in assorted ways, come the world, the flesh, and, implicitly, the adversary – the three great enemies every Christians in the middle periods were said they had to resist.
In contrast, characters such as the Clerk, the Parson, and the Plowman all provide, prefer the Knight, instances of worthy behavior in their various ways. The clerk is dedicated to true study, thus using his God-given gift of reason in the proper way. The Parson is perhaps the only religious figure to work by the Church that actually seems to worthy his job, because of his loving commitment to his parishioners. And also the Plowman, the Parson’s brother, has a humble society status yet is a splendid spirituality example. The narrator states of the Parson the he was always
Living in pees and also parfit charitee.
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God love he finest with his hoole herte
At every times, though him got or smerte,
And thanne his neighebor right as himselve. (534-37)
In other words, the Plowman’s love the God is consistent (whether the is enjoying great fortune or enduring bad fortune), and his love the God leader him come love his next-door neighbors as that loves himself. This, it would certainly seem, is the basic ideal whereby Chaucer procedures all his characters and also finds numerous of them sadly lacking.